At least something loud happened, drew peopleâs eyes to that point.
From other hand, the bullet pinched Trumpâs ear should have arrived somewhere.
Additionally - from third hand (of Shiva) - we cannot assume that only one thing happens at a time. (Ha-ha, since the theater adaptation of Tom Sawyer we know that some things might have a third half (but I was unable to find it in the original text). And since Stalin we learned that things might have a bigger and a smaller half.) So it happened not only once that my engineers assumed one issue, in fact there were more than one.
At this point I cannot exclude another shots/shooters - just because there is a significant (loud) event. The most attention grabbing event might not be the only one.
But what could be that dust âsmokeâ ball? And why their left hands were moved if the impact was from their right. (Iâm confused.)
Smartphones and Their Microphone Magic
Yes, most modern smartphones are equipped with multiple microphones, and they serve different purposes depending on the task:
For Phone Calls
- Primary microphone: Usually located at the bottom of the phone, closest to your mouth.
- Secondary microphones: Often placed at the top or back, used for noise cancellationâthey help isolate your voice from background sounds to improve call clarity.
For Video Recording (Rear Camera)
- Smartphones typically use rear-facing microphones when recording video with the rear camera.
- Some high-end models have three or more microphones to capture spatial audio, which gives a more immersive sound experience.
Multiple Audio Tracks in Video?
- While most smartphones record a single mixed audio track, some advanced devices and apps can:
- Capture stereo sound using multiple mics.
- Record directional audio (e.g., focusing on sound from the front or back).
- Allow external mic input, which can be layered or edited separately in post-production.
So while you wonât usually find multiple separate sound tracks embedded in the raw footage, the audio is often multi-source and spatially processed, especially on flagship models like the iPhone Pro series or Samsung Galaxy Ultra line.
Oh, once I watched a lecture - and it was completely silent on a single loudspeaker smartphone.
On a mono speaker (like many smartphones use), those channels get summed together. If theyâre 180° out of phase, they cancel each other out, resulting in silence. On a stereo system, each channel plays separately, so the cancellation doesnât occur. If one signal is the inverse of the other (i.e., flipped polarity), combining them in mono causes them to cancel out. Most phones use a single mono speaker. When stereo audio is played back, the phone sums the left and right channels. If those channels are out of phase, they cancel each other, making the audio sound thin, hollow, or completely silent.
- Avoid stereo widening tricks that rely on phase inversion unless youâre sure your audience will use stereo playback.
Oh, thatâs a trick I first experienced by JVC casetteplayer. Just for educational purposes: Stereo broadcast should be compatible with mono radio receivers. Thus they donât broadcast left and right channels separatelly. Indeed there are two broadcasted channels - left and right one added up in phase and one flipped over. Then the receiver reverst that, so you get back left and right channels. However, they can change the âweightsâ of summing. And this makes you feel the audio experience is wider.
FM stereo broadcasts use a clever encoding: they transmit L+R (mono) and LâR (difference) signals. Mono radios decode just L+R, while stereo receivers reconstruct left and right by adding and subtracting those signals. Adjusting the mix or âweightsâ of L and R can enhance stereo widthâitâs a subtle psychoacoustic trick that makes the soundstage feel more immersive.
4:48 Any measurement that you make without any knowledge of the uncertainty is meaningless.
** https://youtu.be/X9c0MRooBzQ?t=286
I have to find the video of hoisted kid near the south bleachers.