So a big, big thanks to Greg Nichols for working so hard to align these sources and estimate report times. As a first matter, when I listen to/watch his slowed down podium video, I hear and see three distinct echoes at defined spacings after each of the first three shots. I know the second group of five shots step on each other, but these echoes were prominent in the first three shots and I would expect to see them in the later group, at least for shot 8. I don’t. This tells me there may be a fundamental difference in the sound source being more focused from the first three, causing prominent echoes. This is consistent with the sound having to pass through a relatively small aperture at some distance from the gun barrel. Hold onto that thought.
Second, these dudes aren’t complete idiots. They would try as best they could to place two shooters at the same distance, with the same bullet velocity, to the podium.
Now, taking Greg’s data, I worked from the assumption that shots 1-3, which sound qualitatively different, were from a different shooter than shots 4-8. So I averaged Greg’s arrival times for the first three shots, and I averaged Greg’s arrival times for the second five shots, for each audio source. I then differenced these from the same averaged podium times, as it is fair to assume from the bullet trajectories that both shooter’s reports took a direct line to the podium. Results? This is where it gets weird:
Podium: Shooters 1 and 2 at same distance and shooting towards podium (assumption)
Ross: Shooter 2 is 5-6 ft further
TMX: Shooter 2 is 15-18 ft closer
DJStew: Shooter 2 is 20-21 ft closer
This data can only be explained in two ways. 1) measurement error, i.e., sound recorders didn’t move like we thought, they ran towards Crooks after the first three shots or 2) sound path to TMX and DJStew for shots 1-3 was not a straight line.
So 2) works if Shooter 1 is roughly right UNDER patsy in eaves of building or in a room set back from a window, in either case set way back from edge of building. With a magnifying optic, he still doesn’t need a large hole to sight/shoot through. Note that he has no good way to estimate windage in this position, which could account for the miss. But to reach TMX and DJStew, the report would have to travel out the hole on a straight line to the podium, and then spread out towards these microphones, causing a dogleg sound path to the mics sideways in front of the bullet path:
This would account for shooter 1 appearing 15-20 feet further away from TMX and DJStew than the podium in the sound recordings, compared to shooter 2. To account for Ross, we would assume that there was some path (window?) for the muffled sound to travel out the near side of the building first, because the sound from the aperture would be even more delayed.
Oh, and if as some one observed one of the snipers was standing at the door to the building, he was freaking guarding it while this happened and the shooter 1 position was disassembled.
I don’t know how else to interpret this data. Thoughts?